Why A Retreat’s A Worthwhile Treat

Last Thursday evening I got back from my accidental writing retreat to Bamberg – and if I tell you I was sad to leave, I think you’ll figure out it went well and I got over my guilt! I had a great time and saw some, although not enough, of beautiful Bamberg. I’ll have to go back. 😉

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I actually felt more refreshed and inspired after my brief time in Germany than I did after our two-week holiday in Wales. Why? Well firstly, there was nothing required of me whatsoever. No shopping, cooking, tidying, cleaning, washing-up, planning, phoning or preparation of any kind. I only had two full days there, but for those two days, all I needed to do was get myself somewhere with food three times a day. That was it.

Well firstly, there was nothing required of me whatsoever. No shopping, cooking, tidying, cleaning, washing-up, planning, phoning or preparation of any kind. I only had two full days there, but for those two days, all I needed to do was get myself to somewhere with food three times a day. Luxury!

Secondly, much as I love my family, their ability to tidy up after themselves and organise their lives leaves something to be desired. From holidays to house insurance, PE kits to family visits and bath cleaning to birthday presents, it’s usually me that’s the organiser. There’s a rota for household chores, but often they have to be ‘encouraged’ to stick to it (with anything from a nudge to a full-blown nag).

So it was great to be away from all the responsibilities and distractions I find impossible to ignore – the empty juice cartons that can’t find their way to the bin, abandoned breakfast bowls that I’m compelled to take to the kitchen but can’t put in the dishwasher… because others haven’t followed the ‘help empty the dishwasher before you leave in the morning’ rule. It’s really hard to turn my back on the mess. I also work better when I’m alone for at least some of the time, and these days there’s a lovely but lethal distraction in the shape of Arty Daughter, who has finished college and been studying online for additional graphic design qualifications.

I also work better when I’m alone for at least some of the time, and these days there’s a lovely but lethal distraction in the shape of Arty Daughter, who has finished college and is now studying online for additional graphic design qualifications.

House of SilkIn Bamberg I managed to get some reading done, re-reading Joanne Harris’ Coastliners (supposedly to study objectively how she achieves her great characterisation and sense of place, but of course I got dragged along by the story and stopped paying attention). I also read Anthony Horowitz’s Sherlock novel, The House of Silk, as recommended by DS. I thought the beginning was a little slow but it rattled along at a good pace once I’d got into it.

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Of course, I took notebooks and a couple of writing companions too. I’d finally started my lovely owl project book that Arty Daughter bought me because I thought starting a new novel seemed like a good use for it. The All Big Ideas Start Small is one of my two main ideas books and she bought me that too. I took it along because it had the outlines of two short stories in, but in the end I focussed on my novel and didn’t touch short stories.

As you can see, I took two of my Della Galton books as well – The Short Story Writer’s Toolshed and The Novel Writer’s Toolshed.

The little flowery folder is full of different sizes and designs of sticky notes, from page markers upwards – an ingenious gift from my aunt. Every writer should have one *the folder, not an aunt. They’re not compulsory).

I only had two full days in Bamberg – Techie Husband didn’t have to work on the last day and we could have spent the morning traipsing around Bamberg, but checkout was 11 and it was raining, so we would have had to drag our suitcase and laptop bags around with us in the rain while keeping an eye on the time, as we had to catch a train and tube to Nuremberg airport for our afternoon flight.

WP_20150831_002But in those two days, I wrote nearly 5000 words and read many thousands more – and enjoyed a meal out with my husband’s colleagues and two meals with just the man himself.

Or last meal was Italian and the meal out with his colleagues was traditional German, but our first meal out, when these pictures were taken, was of course at an Irish pub. Because that’s what you do abroad, isn’t it?

WP_20150831_003I had cocktails (I hadn’t even started this one, so there’s no excuse for the wobbly hand blurriness) and a very odd crusty salmon dish that was rather overwhelming after the halfway point. It came with hash browns, so the whole meal was unrelentingly and unexpectedly crispy.

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I also had a humble lunch in the hotel bar, in the middle of a furious writing bout, as seen here on the right. (“We have cheese or ham.” “I’ll have ham please.” “Oh, we have something else… salami.”) They do love their parts of pig! I ate my choice of baguette while listening to English songs on German radio interspersed with humorously part-English adverts: “Burger King! German German German Chicken Special Longen!”

WP_20150902_025… And a not so humble lunch, on theWP_20150902_026 terrace of a rose garden behind The Residence, high above central Bamberg.

This little beauty is a flammkuchen. It’s like a pizza, but far lighter and twice as delicious.

 

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I soaked up sun, history and inspiration in equal measure, and got to spend some time with Techie Husband too – and we enjoyed having a meal, just the two of us, as we fail to do this nearly every year on our anniversary. Why? Because we’re usually on holiday with the kids. So it made up for a couple of lost anniversaries.

WP_20150902_047So was it worthwhile?

Abso-flamin-lutely (which is apparently now in the dictionary. Hooray!). I came back with renewed enthusiasm, no longer feeling my fiction brain was ‘ossified’ as Nicola Morgan puts it!

I’ll be going next time, if I can… 😉

 

Can You Teach Someone To Write?

You know, write. Not as in ‘form letters’ – you can definitely teach that!

Amongst writers, it’s always a bit of a debate – and there are lots of quotes from writing tutors claiming, somewhat paradoxically, that you can’t teach someone to write. It’s the old ‘is it a gift or a skill’? controversy. This article is a discussion with three authors on learning to write and teaching writing, whilst this list of tips from the Scottish Booktrust on getting ideas flowing is useful if you teach writing. They’re designed with a school class in mind but they’d work equally well in any creative writing class.

So what do I think?  Well I think it’s like carpentry.

Carpenters working on wooden drawers

 

No, bear with me. My point is that you can teach carpentry to a group of people and they may all become reasonably competent at joinery and construct perfectly serviceable, well-made cabinets. But will all of them want – or be able – to craft something beautiful? Something that requires inspiration and imagination; that’s off pattern? Or work that has a quality that in some way raises it above the rest?

The answer is – think – no. And I believe writing is much the same. You can teach most people to string together a grammatically correct, understandable sentence. You can teach them the theory of fluency and flow; about metaphor and simile. But will those ideas come into their head when it comes to imagining a story, and will they be able to translate their ideas into the written word in a way that does them justice? And will they have the staying power to persist until every sentence is polished, or will their work always remain a rough diamond? I’m not convinced they all will.

So what do you think? Can good writing be caught or are some people just gifted?

 

 

In Which I Admit That Alex Gazzola @HealthJourno And @Simon Whaley might have a point :)

Confession time.

With fiction, I feel I know what I’m doing. Roughly. I have a uni Diploma in creative writing. I’ve had a small amount of fiction success. So hopefully I understand the principles of telling a good yarn, even if, like all writers, it takes me a few rewrites to sieve out the grit and get to the gold. And non fiction shouldn’t be a problem, should it? My OU education tutor, very well-respected and much published, urged me to do a Masters because he felt I wrote well at that level. I happily chunter on in my monthly column about preschool happenings in the village mag, and had a history article accepted by a Huntingdonshire magazine editor (she never ended up publishing it, mind, or commissioning the series she wanted me to do, but that’s another story).

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But here’s my CONFESSION: generally, as far as non-fiction goes, I’m a bit scared. I’ve always felt I’m not worthy. Yes, I’ve dabbled in a few careers, but never risen to any professional prominence in them; I have hobbies, but haven’t pursued anything obsessively. I don’t even OWN an anorak. So why would anyone want me to write about education, childcare, inclusive practice, equality and diversity, history, medicines, children’s literature, books, or the genius that is Stargate in all its permutations, when there are hundreds of people out there more qualified than me?

I’ve read advice about writing non-fiction in magazines articles and on the blogs of writers like Simon Whaley and Alex Gazzola. I’ve learnt about finding my niche, expanding my niche, twisting topics in my niche so they fit into other people’s niches and venturing out of my niche. It all made me feel very buoyant. But when I had snuck away  and thought about it for a while, the only thing I felt confident writing was a comment, preferably in size 6 font, on the end of their posts: “I haven’t got a niche. I don’t know quite enough about anything.

Alex Gazzola @HealthJourno
Alex Gazzola
Simon Whaley @simonwhaley
Simon Whaley

I’n not the only one. I know this because on Alex’s blog, Mistakes Writers Make, he has charts showing  most popular posts this month and most popular posts ever. Guess what? His post on this very subject -‘Mistake No. 12: “I can’t write for Yachting Monthly!”‘ is the top post this month and no.6 in his all time greats. Simon’s posts on this subject, which include Taking small steps and You’re the best person to write this piece because … are on his tutor blog Simon Says because he knows these concerns are shared by a lot of his students. But readers, I listened to their words of wisdom but did not quite believe. Forgive me, father, for…

Then this morning I sat down armed with pen, notebook, this month’s Writer’s News. I intended to read all the market news but in all honesty was only intending to note down fiction markets. Because, remember, I don’t Know Anything.

I started down the first ‘Flashes’ column. Pah! The top item was about Farm and Ranch Living,  a U.S. bimonthly. Yeah, right. What do I know about farming and ranching in the U.S? Then BING!

Yellow light bulb

I don’t know a lot about it, but I know a woman who does. Mary O’Hara.

I know what you’re thinking. The Irish harpist? Really? No, silly. Mary O’Hara the musician, screenwriter and author, who amongst other things wrote My Friend Flicka which was turned into a film and was all about life on a ranch. Not surprising really as she lived on a ranch for 17 years with her second husband. And my fascination with her books made me research her and read her autobiography… hmm. Perhaps I could write an article about her life as a rancher’s wife. Or the way she represented ranching in fiction. Or compare the life of a rancher’s wife in the 1930’s and 40’s to the life of a contemporary rancher’s wife – or indeed lady rancher. Ok. Star that one and write details in the notebook.

Next down, The Aviation Historian. Well I don’t know anything about…
Hold on. I live in East Anglia in the midst of a very hotbed of current and historical RAF activity. I live just over a mile from an RAF base. This means the local papers often feature historical photos and items about RAF history. It was one of these, an item about the extreme bravery of a Lancaster bomber crew member, that sparked my as yet incomplete novel, Forgive and Forget. The first chapter got me a very pleasing mark as my ‘exam piece’ in the first year of my Diploma. And even though that was a few years ago, I did lots of research, all of which I have tucked away. Hmmm…

So sorry, Alex and Simon. I see your point now. I need to think a bit more widely and have more confidence. Perhaps I’ll turn these musings into a filler or a letter, as well! *Whispers* “Ahem… you were right.”

 

 

 

 

Interview with Melissa McPhail, Author of Cephrael’s Hand

Time to interrogate the lady herself – an interview with Melissa McPhail, author of Cephrael’s Hand, courtesy of Novel Publicity.

Enjoy this interview with Melissa, then read on to learn how you can win huge prizes as part of this blog tour, including a Kindle Fire, $450 in Amazon gift cards, and 5 autographed copies of the book.

1. Your debut novel, Cephrael’s Hand, was the winner of The Written Arts Award for both the best fiction and the best Sci-Fi/Fantasy categories–congratulations! So tell us, what was the inspiration behind this story, and can you tell us a little bit about it?

I started the first version of Cephrael’s Hand when I was going through a difficult time in my life. I needed the cathartic joy that I’d always found in writing. I didn’t set out to write a novel—just to write. That first draft had no planning, no world-building, no design. It was pure creative inspiration. And it was awful!

But the characters… I had brought them into being, and they insisted that they had a story to tell. It took my growing as a writer—and over a million words tossed into the trash—to finally tell their story properly.

Cephrael’s Hand is the result of a philosopher’s approach to fantasy. It’s the story of one man’s steadfast determination to save the realm he swore to protect, and his willingness to do anything it takes to accomplish that end—even to betray those he loves. It’s the story of the unlikely pieces (men and women) who unknowingly fall beneath his shadow, and of the players who follow him. Ultimately, it’s a story of salvation.

I see fantasy as a metaphor for life in this world. We all face tests of our honor. We’re all working to accomplish our goals and flourish and prosper. Few of us set out to do evil. Yet evil is done. Goals are abandoned. Integrity is compromised. We totter precariously on thin wires as we move through the labyrinth of life. I strive with my series to illuminate those wire-thin paths, that we might find solid ground beneath them.

2. Without giving away too much, can you reveal what’s in store for the readers when they crack open Cephrael’s Hand?

If you listen to my critics—too many characters! But this is an epic fantasy dealing with a conflict that spans multiple kingdoms. It takes a team to save the world. 😉

Hopefully you’ll meet interesting characters and a world you can easily find your own place within. You’ll discover pirates, princes, star-crossed lovers and philosopher-soldiers. You’ll see many characters who are not as they appear, and a few who are exactly as they seem. You’ll find adventure on a perilous road with prince Ean val Lorian, and farcical escapades with Trell of the Tides and the pirate Carian vran Lea.

You’ll often wonder who is good and who is evil—because most villains in real life are cloaked in shades of gray.

3. Can you tell us more about some of the key concepts that inspired the world of Cephrael’s Hand?

The story is crafted out of many of the philosophies I’ve studied. As I was planning Cephrael’s Hand, I had been reading about game philosophy. Game philosophy speaks on the importance of games in our lives and takes a look at their composition (barriers, purposes and freedoms) and their anatomy (pieces, players, maker of games). It’s a compelling concept with abundant applications, and I became immediately interested in exploring the ideas more via the story of Cephrael’s Hand.

Balance is another concept that threads throughout the story. Exploration of this idea comes out of my study and practice of yoga. If ever a concept permeates our lives, the pursuit of balance is one. Whether seeking to balance work and parenthood, our social commitments and our private lives, or even just the juggle of that list of a thousand things we’ll never get to, every one of us is seeking balance in some fashion. Placing this concept within the framework of a fantasy story embellishes it with a magical lure.

4. The Cephrael’s Hand constellation plays an important role in the book. Is there a real life constellation that plays a similarly important role in your life?

I can’t say that a particular constellation is important to me personally, though I’ve studied Astrology for many years. But I’m drawn to the idea, both scientifically and philosophically, that we are all connected somehow with each other and the broader universe. String Theory and General Relativity play to this idea from the perspective of science. Certainly, if we are connected to the stars in some esoteric way, then the actions of the stars can impact us. Astrology believes this, and the graphing of natal charts proves an underlying truth in this ancient, mystical and often misunderstood science. Philosophies far and wide declare that we’ve descended or separated from a universal oneness and teach karmic values with the intent of helping us return or re-ascend to that harmonious state.

The concept of Balance in Cephrael’s Hand stems from this idea of universal connectivity.

5. Ever since a linguist named Tolkien came along, language has been a very important aspect of the epic fantasy genre. What inspired the various languages in Cephrael’s Hand?

The desert languages are based on Farsi or Arabic, depending on the tribe. Farsi is one of the oldest languages still in use today, and its traditions lent themselves well to the Kandori culture, which is one of Alorin’s oldest races. Likewise Arabic, being originally a language of the nomadic tribes, seemed the correct base from which to draw the language of the Akkad.

Even older than both of these languages in my novel is Old Alaeic, which is the original language of theangiel, the Maker’s blessed children, and of the two original races: the zanthyrs and the drachwyr. Old Alaeic draws primarily from Gaelic root words. I chose Gaelic because the language maintains some of the earliest roots of our Indo-European linguistic heritage. Its spellings and pronunciations are almost universally reminiscent of mythological beings from ancient times and are often associated, especially in the fantasy genre, with elves, Druids or other mystical races.

6. Which other authors have served as influences and inspiration for your own work?

I love lyrical writing, so my bookshelves host an eclectic mix (albeit heavily weighted with fantasy and science fiction). Those who first come to mind from the fantasy genre are Anne Rice, Patrick Rothfuss and Jacqueline Carey, all of whom carry on a great and fabulous romance with the English language, much to the ecstasy of millions. Being able to string words like pearls into a story that reads at times like poetry in motion seems the greatest pinnacle of storytelling skill.

7. It’s been said that one of the most time-consuming processes of writing epic fantasy is world building. Without giving too much away, what are a few of your favorite world aspects and what inspired them?

As I wrote in a recent guest post, world-building and the magic system developed for the world are intimately connected. We can’t really describe a fantasy world without talking about the magic that rules it, because so much of what we understand about the world derives from our understanding of how the physical laws of the world work.

In creating my world of Alorin, I established five “strands” of the lifeforce known as elae. These strands are a way of describing and codifying the lifeforce which is the source of energy in the world, but they are only one way of describing it. While most of the viewpoints I am writing from agree with describing the lifeforce in terms of “strands,” there are other races in Alorin who have codified it differently, darkly, or with less purity for lack of philosophical simplicity.

I love exploring different viewpoints and imagining how each would describe a universal energy. I love examining the cultures that seek to describe this energy and how their ideals might alter their understanding of it. For example, the Adept race believes that Adepts are born with the ability to work one of the five strands, but only one. Yet some of the “Wildling” races are known to be able to innately work more than one strand.

The Fhorgs race works blood sacrifice to fuel their magic. Would their magic work without such sacrifice? The Adepts believe that it would. Yet within the Adept philosophy, a working of magic requires faith both in the existence of power and in one’s ability to manipulate it. If the Fhorgs don’t believe themselves able to wield the lifeforce without letting blood, it follows that magic would become unavailable to them simply because of their lack of belief. Moreover, because the Fhorgs don’t limit their ideas of their magical ability to a five strand approach, it’s possible they might achieve more through the wielding of it–or not. These are existential questions for these two races, questions which set them at odds with each other. Questions from which derive conflicts and persecutions, intrigues and betrayals.

Such explorations fuel both world-building and magic-system building, because their delineation establishes how the world works, how the people of the world interact with the energy that fuels it, how they interact with each other, and how they use the energy itself to work arcane acts.

8. You grew up in a house full of musicians, but your creativity emerged in the form of writing. Have you always felt called to write?

I always thought I would end up with a career in music like the rest of my family. I grew up harboring such an appreciation of these accomplished, classical musicians all around me, it seemed a natural course to follow in their footsteps.

Instead, I stumbled into writing the way one sometimes bumps into providence, colliding with it accidentally. I happened to take a creative writing class in high school. My creative writing instructor believed the best way to teach writing was to send her students out to actually write. So I did—hundreds of pages over the next few years. Writing became both an outlet for my creativity and the escape reading had always provided. I know I share that love affair with many authors.

9. At one time or another, most writers hit the wall and their work stalls because of the dreaded writer’s block. What do you do to get around or over this mental wall to resume writing?

Usually I turn to music—either composing it or listening to it. If I can find a great new song, sometimes that will help inspire me out of the hole. When a scene just isn’t working, I’ve learned to go back to where I was last doing well in the story and scrap everything that came after. It’s an agonizing process, but often necessary.

10. The Dagger of Adendigaeth, Book 2 in your series, has just been published. How has your vision expanded from book 1 to book 2, and what kind of creative growth have you experienced in your process this second time around?

We grow as writers with every novel—at least I believe that’s the goal. Many of the things I gained in writing The Dagger of Adendigaeth are intangible, ineffable understandings of myself and my creative process. I think of those times of being fabulously, fantastically stuck and the final moment of inspiration that launched me out of that depressing well. I think of the plot twists that came to me completely without warning, and the absolute magic that is the creative process.

The thing I loved most about writing this book was being able to explore so many viewpoints—especially the viewpoints of those characters who might be viewed as antagonists. But I don’t and never have seen them that way. It’s my greatest purpose in writing this series to be able to show the motivations and ideals that mold and shape each character. The more we can understand each other, the closer to a peaceful coexistence we will find, whether in the microcosm of our lives or the broader political and religious zones.

 

Cephrael Tour BadgeAs part of this special promotional extravaganza sponsored by Novel Publicity, the price of the Cephrael’s Hand eBook edition is just 99 cents this week. What’s more, by purchasing this fantastic book at an incredibly low price, you can enter to win many awesome prizes. The prizes include a Kindle Fire, $450 in Amazon gift cards, and 5 autographed copies of the book.

All the info you need to win one of these amazing prizes is RIGHT HERE. Remember, winning is as easy as clicking a button or leaving a blog comment–easy to enter; easy to win!

To win the prizes:

  1. Purchase your copy of Cephrael’s Hand for just 99 cents
  2. Enter the Rafflecopter contest on Novel Publicity
  3. Visit today’s featured social media event

About Cephrael’s Hand: Two brothers find themselves on opposite sides of a great battle, neither knowing the other is alive… A traitor works in exile while preparing for the disaster only he knows is coming… A race of beings from beyond the fringe of the universe begin unmaking the world from within… And all across the land, magic is dying. Cephrael’s Hand is the first novel in the award-winning series A Pattern of Shadow and Light. Get it on Amazon or Barnes & Noble.

Visit Melissa on her website, Twitter, Facebook, or GoodReads.

The Next Big Thing (In My Dreams)

It’s Wednesday so I am duty bound to stand up and be counted as the Next Big Thing. Or possibly be a handy target for passing custard pies -always a danger when you stand up, particularly on a peak. That’s why I moved to Cambridgeshire. There aren’t any peaks 😉

I was nominated by the lovely Teresa Morgan, whom I have never met but, comfortingly, she sounds as batty as me when we chat on the Wonderful Wide Web. So if you haven’t read her Next Big Thing blog post, you’d better jolly well hop over there and do so. (No, not right now! Sit down and read mine first).

What is the title of your next book?

Oh no. Fallen at the the first hurdle. I haven’t decided on a final title yet; its working title is Tamsyn, because that’s the name of the heroine. However, it may well end up being called Watch the Wall, My Darling, which is from the poem mentioned below.

Where did the idea for the book come from?

In 2010 we went on holiday to Cornwall and I picked up a fascinating book about Cornish history, traditions and folklore. Then last year while studying one of my final year modules – Children’s Literature -for my Literature Degree, I came across Rudyard Kipling’s evocative A Smuggler’s Song in the poetry anthology. Bam! It sparked a plot for a YA novel based around smuggling in Cornwall.

I was drafting an outline and doing research for it when I happened to spend a lovely day in Chesterfield at a Pocket Novel Workshop run by the delightful Sally Quilford (highly recommended. Sally is very welcoming and very funny!). So when I came to write scenes, not surprisingly my head was filled with windswept fishing villages, smuggling, boats, tunnels and mysterious lights. Not all those things have made it into this book – although those that haven’t might still make an appearance. The book is likely to come up too short, as the outline was designed for the original Pocket Novel length of 30k and hasn’t grown much since. I need to create another Event, which will probably take two or three chapters, and some of what Teresa Morgan calls additing too 🙂

What genre does your book fall under?

Historical romance. Hopefully well-balanced between the two!

What actors would you choose to play the characters in the movie rendition of your novel?

I think Keira Knightley (above) might make a good Tamsyn. She does a believable feisty. Or perhaps Natalie Portman.  Simeon was quite fuzzy in my mind for a long while – he kept changing – but now he is definitely Emun Elliott.

He’s handsome but does the desperate haunted look very well! Simeon would have to be quite gaunt and ill-kempt at the beginning, and I think Emun could carry that off. See?

What is the one sentence synopsis of your book?

A fiercely independent woman learns to compromise when she takes in a handsome lodger with a tragic past!

Will your book be self-published or represented by an agency?

Well I’m hoping it will fit into the Easy Reads Caress Line (Easy Reads were meant to replace My Weekly PNs), because although the original pocket novels are coming back (see Sally Quilford’s post on the return of pocket novels), the new flyer says Maggie Seed only wants Second World War onwards. As mine is set at the end of the 18th century, I don’t think it qualifies, sadly! A shame because I had the impression that the historical pocket novels were popular.

How long did it take you to write the first draft of the manuscript?

I’m still working on it! I started the first draft during NaNoWriMo last year but had to stop after a fortnight, at 18750 words. I hadn’t touched it again until this NaNo; I’ve spent about 8 days on it so far, and it’s up to 27993 words.

What other books would you compare this story to within the genre?

That’s a tricky one. I would love to say E.V. Thompson’s Cornish novels – such a massive loss to historical fiction when he died this year, he is a hard act for anyone to follow. And perhaps Jennifer Donelly because she writes very determined feisty women.

Who or what inspired you to write this book?

I love historical fiction and women who are capable, and as I said above, the initial spark for writing about smuggling was A Smuggler’s Song. And Cornwall because it’s a fascinating place with a wealth of smuggling history. I love hanging fiction on a factual framework, whether it’s a mere skeleton or a really detailed event or character (to my mind one of the finest examples of this is Tracey Chevalier’s Remarkable Creatures).

What else about your book might pique the reader’s interest?

Hopefully, like the novels of the much-revered EV Thompson, my finished novel can deliver a real sense of place and history without overwhelming the story – so that the reader feels they have painlessly seen and learnt things whilst still being entertained. But then for me, that is the job of fiction: to broaden our horizons by taking us on an entertaining journey which never involves leaving our chair.

So that’s me. Probably not the Next Big Thing, but hopefully a slightly bigger thing than I am now (admittedly this could be achieved more easily by forgetting the writing and eating the custard pies…). The next Next Big Thing will be another Twitter writing pal, Sinead Fitzgibbon. Sinead describes herself as ‘Writer, blogger and lover of books, history, art and food!’ and is the author of four History in an Hour titles.

*Takes off crown and lobs it in Sinead’s direction*  Over to you! 😀

 

 

SUNDAY SITE SWEEP: Five Fab Sites for Beating Writer’s Block

This week, sites to generate ideas and spark creative thinking. Are you champing at the bit, ready to start a new project, but can’t fix on a starting point? Or perhaps you’ve come to a sticky patch in something you already have on the go? Whichever it is, hopefully one of these sites will provide the inspiration you need….and an ancient post of mine, A Walk Round The (Writer’s) Block, might prove useful too.

Plinky Prompts

Plinky: ‘because sometimes you need a push’. Plinky prompts can be sent to you via email, Facebook, Twitter or Tumblr and there is a new one every day. They used to do specific creative writing prompts but as far as I can tell these are a thing of the past (they used to include prompts such as ‘write the dialogue between a cop and the mother of a lost child’).  Also, overall the prompts seem to require less soul searching than they used to – describing the worst day in your life is very powerful, but describing your three most hated Facebook statuses, perhaps less so. Despite that, they are still very useful and it amazes me that so many writers are still ignorant of Plinky; there will be something to get you thinking at least a few days a week. You get a recap of the week’s prompts every week by email, and on the website you can access hundreds of old prompts – and perhaps even better, look at other people’s answers. Inspiration gold!

The Scriptorium

This site has a whole host of useful features including some excellent printable worksheets. The whole site is well worth any time you have spare for browsing, but for the purposes of inspiration these pages are the ones to focus on:

http://www.thescriptorium.net/features/prompts/

Free-writing exercises and scenes to write up

http://www.thescriptorium.net/toolbox/story-starters/

First lines and paragraphs to get your story brain working.

http://www.thescriptorium.net/young-writers/yw-creativity/

These exercises are in the young writers’ section, but are useful for writers of any age!

Errant Dreams

Scroll down the page until you see category listings. Category 1 is Images – visual prompts; anything from ‘a car with a web of cracks on a side window’ to ‘a star was tattooed on his brow’. Other categories are phrases, concepts and techniques.

PostSecret

‘PostSecret is an ongoing community art project where people mail in their secrets anonymously on one side of a homemade postcard.’ I think this mission statement – or perhaps it’s more of a raison d’etre – tells you why it is a great place for story and character ideas.

The Seventh Sanctum

This novel site has a random story generator and, in the left hand side bar, a whole host of genres – click on one and you will find lots of info on the chosen genre and links to story generators for that genre. Very…novel!

And as a bonus – I’m not an ipad user, but the apps below were mentioned in Webbo’s Web Watch in the September issue of Writing Magazine. Thanks, Webbo 🙂 I’ve added the links so you can investigate for yourself.

Flash Fiction Prompter

iDeas for Writing

Inspiro